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Yamaha FG800 Guitar Review: Acoustics Under $300 Reviews

Yamaha Acoustic Guitar Reviews

Hello and welcome to my Yamaha FG800 guitar review. This review will take a look at Yamaha?s FG800 in terms of: The Tone; The Playability; The Materials the FG800 is made from; Who the FG800 is best suited to; The FG800?s value-for-money I?ll also include videos of the FG800 in action so you can get […]

Yamaha APX500ii Review: Acoustics Under $300 Reviews

acoustic guitar reviews under 300

Hello and welcome to my yamaha APX500ii review. This review is part of my acoustics under 300 series of reviews. I will cover the following aspecs of the APX500ii The Sound; Playability; The Guitars Materials; Who the APX500ii is most suited to; and The APX500ii?s value-for money I will also include videos so that you […]

Yamaha FG700S Review: Acoustic Guitars Under $500 Review Series

Yamaha FG700S back and sides

My latest look at guitars costing less than 500 is the Yamaha FG700S review. So what did I think of the FG700 in my latest trip to my local music store? My first impression was that it was, as Yamaha instruments typically are, a well-made but unspectacular guitar. What this Review will Cover The following […]

Yamaha LL6 Review: Acoustics Under $1000 Review Series

Solid Engelmann Spruce Top Acoustic Guitars

Hello and welcome to my Yamaha LL6 review – a part of my acoustic guitars under 1,000 review series. As is custom here at SixStringAcoustic.com I will be following the following format for the review: Tonal Qualities Playability Videos (so you can get an idea of the sound for yourself) User reviews Value for money […]

Yamaha A1M Guitar Review: Acoustics Under $1000 Review Series

Solid Sitka Spruce Top Acoustic Guitars

Hello and welcome to my Yamaha A1M guitar review, the latest in a series of acoustics costing less than 1,000. In this review I will cover the A1M?s: Sound qualities; Playability; and Value for money The review will also include videos so that you can hear the guitar for yourself and links to user reviews […]

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